Friday, November 7, 2008
Forming 'A More Perfect Union'
I have been wondering a lot lately about the effects of Black students attending HBCU’s (Historically Black Colleges and Universities). I wanted to stay away from comparing the benefits of an HBCU verses a predominately white university, and what the cons could be. Instead I want to focus on how HBCU’s prepare black students for the real world, what is done differently, and if student’s that attend these schools feel as if they have been placed in an unrealistic society(because when they are on these campuses they are the majority). To be honest I have not thought a lot about what type of real forms I could create. Most of my decisions will be based on the results of my research. I could possibly make a pamphlet that educates future black collegiate students on what an HBCU really is. I also thought about making ads that could be published in magazines promoting the awareness of these institutions, their benefits and goals. I do not want my real forms to function as ways to convince students to attend HBCU because that is not my goal. I rather have students really understand their purpose, how it is different from attending another university, to make sure that it is right for them. Many of my friends have attended HBCU’s, but have transferred back to an Indiana state school. I am interested in seeing why this happens, and what made them make their original choice of an HBCU in the beginning.
Beneficence
In Winterowds Beneficence article, he talks about “rhetorical force in rhetoric.” He explains that the way we use force in our sentences can extend into the arguments we make. He first talks about intention. He describes how we as writers and readers cannot completely understand a sentence until we are given an explanation as to what the sentence’s intention is. Winterowd also talks about performatives, which are used to show intention. In Laurence Musgrove’s article The Real Reasons Students Can’t Write, Musgrove makes the final statement “Here’s your badge.” The fact that Musgrove does not use a performative to suggest his intent, such as “I appoint you with your badge,” might suggest that Musgrove’s intent is not to give educators the task of helping students write himself, but instead is suggesting that the task of motivating students has existed all along.
For my historical-causal analysis I am thinking about an idea that deals with a rise in youth violence, and analyze the trend in school shootings such as Columbine and Virginia Tech to see how safe our schools are and what these events could mean for the future of Americas schools. For my real form I think a brochure to send to parents regarding signs of violence in their children, or a ad campaign might be best. The genre form will need to reach both students and parents as well as teachers. The ad campaign and brochure will need to be sensitive to the issue but direct enough to impact the audience.
Wednesday, November 5, 2008
Symbol-Using Awareness
I am thinking about an idea that has to do with the fact that there are too many children who do not have any understanding about homosexuality, and that this breeds ignorance, and that if we introduce this sexual orientation earlier on with the help of children's literature children would be less apt to be ignorant and hateful. I think the best "real" form would be either a informative TV commercial, or a magazine ad campaign. The genre form will need to mostly entice parents or educators. I believe that children should be present in the ads but obviously young children will not be the ones we have to persuade into action. The audience would be adults who have the same desire to educate our children, and to stop ignorance. I think that I do not create a genre that alienates anyone though. This is a slightly radical ideal for some, and it needs to be tasteful, understated, and direct. It must portray the reason or need for this, and the effects.
-AJ
Monday, November 3, 2008
"Real" Forms and Resources
We'll spend the next five weeks imagining, drafting, analyzing, revising, and rethinking your Public Awareness Projects in two forms: the research form (or, the historical-causal analysis) and the "real" form (in a suitable genre of your choice).
I have been browsing different genre forms and thought I would post some here for your perusal. What follows are links to various white papers, technical reports, advocacy documents, informational web pages, and brochures that might help get some of the creative juices flowing for your own projects. Some of these represent print genres that have been linked online, as opposed to genres that were created specifically as online projects:
--An informational website built around a Sustainability Report recently distributed at Indiana University.
--Any section of the Sustainability report can be considered a "public awareness" project on its own.
--A related chain of documents for the National Resource Defense Council's "Call Off the Guns" campaign, surrounding a controversial bill allowing open hunting of protected gray wolves. It includes a webpage and message to members of the NRDC, a television advertisement that the NRDC created and aired on cable television in October 2007, an article, and an ENS news release on the outcome of the television advertisement.
Here are some other "real forms" on different topics:
--resource site and database on changing the culture of college drinking
--quality of life report (public document) on the Greenwood Village, Colorado with accompanying website
--informational brochure about "Discovery Academy," a program at Highline High School
Here are some resources I have discovered (including download sites for free, public-domain images):
--multimedia tools in the Information Commons
--digital equipment lending
--free public domain images
--Morguefile.com (another source of free public domain images)
Finally, our course resources page also has links to a number of "live" publications that in themselves provide examples of arguments in real form.
-Dr. Graban
Monday, October 27, 2008
Daily Persuasion/Propaganda Discourse Analysis
For Tuesday's in-class analysis, here are your concepts and questions. Work through the set that is relevant to your group; we'll break for discussion either before or after the synthesis questions. One group member will probably want to use the assignment sheet and available Internet resources to find out more about the context of your chosen text.
Lung Group: “Letter to Hu Jintao”
1. examples of illustrating, authorizing, borrowing, or extending (Harris ch.2)
2. the rhetorical “move” in each paragraph (i.e., its communicative function or the role it plays in her larger argument)
3. cogent reasoning (Lazere ch. 2) and/or Rogerian “believing and doubting”
Preparation for Synthesis: Cite the passage(s) that you think holds your writer’s main argument. Very briefly, list the main points your writer uses to develop that argument. There should be an implied logical progression in that list, so you might have to dig through the examples and illustrations to get at them.
Synthesis Question: What role could cultural context play in how Lung wrote her open letter, given that it was originally written in Chinese for a Taiwanese audience, before being translated into and circulated in English?
Neeleman Group: JetBlue triad of documents
1. cogent reasoning (Lazere ch. 2) and/or Rogerian “believing and doubting”
2. use or avoidance of disembodied voice (Matalene)
3. how the 3 different documents work together to create or remove certainty
Preparation for Synthesis: Cite the passage(s) that you think holds your writer’s main argument. Very briefly, list the main points your writer uses to develop that argument. There should be an implied logical progression in that list, so you might have to dig through the examples and illustrations to get at them.
Synthesis Question: How does Neeleman construct audience in these documents in terms of Ong's audience construction?
Sheils and Musgrove Group: “Why Johnny Can’t Write” debate
1. cogent reasoning (Lazere ch. 2) and/or logical fallacies (Lazere ch. 2)
2. ESBYODS principles (Lazere ch. 5)
3. conflict levels or clashing value pairs (Kaufer)
4. examples of illustrating, authorizing, borrowing, or extending (Harris ch.2)
Preparation for Synthesis: Cite the passage(s) that you think holds your writer’s main argument. Very briefly, list the main points your writer uses to develop that argument. There should be an implied logical progression in that list, so you might have to dig through the examples and illustrations to get at them.
Synthesis Question: What kind of audience does each writer write for, and how do you think that affected their decisions about how to argue (note specific differences where you can)?
Pausch Group: “Childhood Dreams—The Last Lecture”
1. the rhetorical “move” in each paragraph (i.e., its communicative function or the role it plays in his larger argument)
2. use of experience as evidence (Matalene)
3. use of irony
Preparation for Synthesis: Cite the passage(s) that you think holds your writer’s main argument. Very briefly, list the main points your writer uses to develop that argument. There should be an implied logical progression in that list, so you might have to dig through the examples and illustrations to get at them.
Synthesis Question: How does Randy Pausch use his own experiences as a way for the audience to reflect on current values, beliefs, and trends of the American middle-class?
-Dr. Graban
Thursday, October 16, 2008
Tres Questions
2. Savio draws on analogies of other instances in which human rights are denied. In Brave New World people are denied even the most basic rights, such as love and passion. Comparing this to the conditions at your university would make quite the statement. As a University official I would want to take into consideration the argument being presented, and work to resolve the issue at hand.
3. Obama’s emphasis on the stases of cause helps readers identify with his reasoning. If readers can understand why he feels such a deep loyalty to Jeremiah Wright, they can relate and forgive him. Understanding the history of racial tension pushes Savio, and Wells-Barnett’s arguments, by helping the reader come to terms with the terrible elements of the past. Describing the emotional elements creates audience construction, by unifying everyone behind one dreadful happenings of our nation’s history.
2.Savio's analogy that "Sproul Hall is to students rights as Mississipi is to civil rights" is relatable to his allusion that states the university is "in the world but not of the world," in that the the comparison of Sproul Hall to Mississipi points out the essential rights and due process that are missing in both places. This is to the allusion of the university in that there is a certain censorship in the school that takes away from these essential rights of expression and culture. Some of the students are barred from expressing themselves in that their views are seen as controversial and therefore, not good for the schools identity. If I were the Administrator, I would be responsive to what Savio defines as depersonalization. However I would not let the school run rampant. There would need to be civil and logical debating.
3.Obama makes the case that while he associates with individuals who have made mistakes in the past, it does not affect his ideals. Moreover, everyone's identity is different and made up of complex components of family, belief, and environment. It is important to weigh our view of him on these ideals he holds prevalent. Putting people in boxes based on race and identity gets us no where, besides attaining a mass of unopened boxes. Obama argues on the stasis of cause in order to very basically point out the misconception in order to identify how different we all are and how we cannot base one man's actions on another's. What Wells-Barnett and Savio could take from this is that ethos must be presented in a way that can be accepted by a more diverse populace.